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Comments
They probably couldn't be bothered. They clearly didn't put much effort into the build.
Maybe it was an experiment to see how bad a build can be but still get approved based on the license. My kids knew to stagger bricks in a wall when aged about 5 or 6.
That said, the fact that it generated as much support as it did in spite of that is probably as good an indication as any that the market for a set like this is huge and impassioned. There were quite a few nicer projects in the running this time that put in admirable effort to reach the 10,000 supporter milestone, but in comparison it's hard to argue that a Jaws or Spaceballs or Knight Rider set would have even a fraction of the overall impact of a set like this in terms of attracting buyers outside Lego's typical audience.
Even non-licensed ideas that DO reach 10,000 supporters, pass the LEGO Review, and get released are often subjected to fierce criticism. Minifigure-scale sets like the Tree House, Pirates of Barracuda Bay, and Medieval Blacksmith are often treated as an insult to the project's creator or supporters due to color changes or other cosmetic alterations to the build — even if they adhere closely to the layout/composition of the original model, or even increase the model's complexity and detail.
Some critics go so far as to say that LEGO shouldn't even approve projects like this if they aren't willing to ensure the final set is as close as possible to the original proposal. After all, the point of LEGO Ideas is to show LEGO our support for specific MOCs we think should be turned into sets, not just for the ideas behind them!
Yet non-minifigure-scale sets like the Piano, Typewriter, and Globe are just as often criticized as "pointless" models that serve no purpose but to sit on a shelf, and are often less authentic and/or more expensive than than their "real-life" equivalents. It makes no difference that both the original projects and the finished sets often demonstrate a great deal of artistic appeal, creative effort, and building proficiency.
Suddenly it's the appeal of the concept that should decide which projects fans support and which projects LEGO approves for release, not the artistry or visual appeal of the build. A proper Ideas set should be something that LEGO fans can play with and incorporate into layouts the same as they would with other sets and themes — stuff like a minifigure-scale castle, spaceship, pirate ship, train, or modular building.
On the internet.
I can't stand people not complaining, but being facetious on the internet. That's the worst!
Once my Castle in the Woods set arrives it is going directly to eBay. The price has gone up to the point that it makes no sense to break the seal.
I will brinklink the pieces I am missing and enjoy the build one day in the future.
I don't know if the submission was lazy or lack of skill (I wouldn't know how to do any of that stuff, so I've never tried to submit a pretty project). But there is no way LEGO doesn't pretty up that set. They will have to balance expected cost and scale, but for sure they won't just have a stack of bricks and call it a facade behind them. I don't see them phoning it in.
Another complete 'meh' to all of it.
- Samurai
- Astronauts, specifically the 1969 moon landing
- King Tut
- Indigenous Peoples
How many parents worldwide would buy a $75 set to build themselves and their children a small copy of a 17th century Cavalier hat just to learn something superficial like they were worn by followers of Charles I during the English Civil War.
Lego and other corporations should be smart enough to realize the mentally ill that live on Twitter and complain about everything are not their market.
I saw a friend of mine go downhill due to constant social media use. Seeing this once happy person turn into this angry hate filled person that was constantly angry over what was trending on Twitter.
Are the complainers purchasing the set? - no. But do they have leverage to convince others to buy no sets? - perhaps. Does LEGO do a cost-benefit analysis and opt to cancel a single set rather than risk the potential consequences of criticism? - of course.
We may not like these decisions, and be diametrically opposed to such ridiculous tactics, but I would expect LEGO to know their market and make prudent decisions based on the information available. Maintaining a positive relationship with the German Peace Society - or using the situation to emphasize the non-military policy - must have outweighed the value of releasing the set.
My approach is to change the channel. Some people are activists. People are different.