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Comments
- Professor X
Cerberusly?
-Hades
(I apologize for this @flord-driven rabbit hole.)
This one is not my fault. You started it.
(Or at @samiam391's secret compound in the mountains.)
The optics have not been good. Seasons 8 and 9 were 10 episodes each instead of 20 like previous years. Why have the Tales of the monastery shorts and the Legacy wave? The Hagemans leave. Season 8 took forever to come out on DVD. Who knows when Season 10 airs?
In summary: Lego was very consistent with Ninjago year after year. And then it stopped.
As far as the confusion with the DVD release and when Season 10 will air, I’d blame that more on Cartoon Network’s general apathy towards Ninjago. This has been going on since like 2016. They just air Ninjago when they feel like it, when fans are usually able to watch the episodes online many months before they air in the US. I do feel that that is a problem that has been going on for far too long and broadcasting Ninjago on a different TV network, such as Nickelodeon, may be necessary.
In short, Lego does care about one of their top-selling themes and have been consistent with Ninjago year after year, but Cartoon Network have not.
- 6 shorts set and released between the pilot and Season 1.
- 5 Master Chen filler shorts in 2015
- 6 "Tall Tale" shorts about Nadakhan's crew
- 6 "Villain Throwback" shorts released in 2016
- 6 "Meet the Ninja" shorts released in 2016 on the LEGO Life app
- 8 "Wu Cru" shorts released in 2017
- 20 "Wu's Teas" shorts released in late 2017
- …and now these "Tales from the Monastery of Spinjitzu" shorts
Granted, some of these shorts have contained all new animation (like these new ones) while others accompany it with recycled footage from previous seasons. But regardless, they very rarely add up to as many minutes of animation as even a single 22-minute episode, and I see no reason to be concerned that they say anything negative about the theme's future prospects.My kids stopped watching after season two. But they did enjoy TLNM.
I appreciate Aanchir's very, very thorough info above. Wow.
It can also mean stylizing the characters in a different way, like sharper or rounder features, differently proportioned faces and bodies, more exaggerated movements, etc. The difference between the "Pokémon: Sun and Moon" anime and previous Pokémon anime series is a good example. In extreme cases, shows can even switch between 2D and 3D animation.
In a brand like LEGO Ninjago, a certain degree of toy-accuracy is probably to be expected in terms of shapes, colors, and proportions one way or the other. But I could imagine them perhapsusing the same character models but with a different type of shading (like cel shading, which this Wikipedia article illustrates).
A very good LEGO example is how LEGO Elves: Secrets of Elvendale was produced as a Netflix-exclusive series and animated by Studio Mir, whereas the previous LEGO Elves TV specials that it shared its continuity with were produced for distribution on both TV and YouTube, and were animated by JaFilm.
For comparison, Avatar: The Last Airbender, which was extraordinarily continuity-driven compared to other kids' shows on the same network or during the same period, only had 61 episodes over 3 seasons.
And most of the longest-running animated series like Rugrats, SpongeBob SquarePants, Arthur, and Fairly Odd Parents don't tell stories where the order in which you watch the episodes or being "caught up" with what's come before matters so much to being able to enjoy and follow the newer ones.
Even without a total continuity reboot, it can still be helpful to create a new starting point, and introduce backstory from the previous series via flashbacks or exposition only as it becomes necessary (similar to how the current series handles backstory for newly introduced characters).
When LEGO Ninjago began, the only female character (Nya) was more of a supporting character or damsel in distress than a member of the main team. As the series went on she developed more agency, but it wasn't until her ninja training in Season 5 that she really stood out as equal in importance to the actual ninja.
Other female characters like Skylor and Pixal have been introduced to the series over time, in part due to the show's the unanticipated number of female viewers, but character bloat has definitely weighed on the creators at times. This was one of the reasons that Pixal became a sort of "digital assistant" to Zane in Season 4 — as a way of keeping her as a major presence in the story without having to invest extra time to following where she was or what she was doing at any given point.
A new cast of characters can make it easier to correct perceived issues with the show as originally conceived, and/or make the show less dependent on actors who may at times feel like the time commitment of being on the show's cast is holding back their careers.
It can be difficult to allow characters in a kids' show to visibly grow up mid-series, since it can make it tricky to ensure kids just getting into the series will be able to enjoy older and newer episodes equally, even if the things they relate to about the characters change as they move on to later stages of their lives.
For example, "Avatar: The Last Airbender" (a coming of age story primarily involving preteen and early teen protagonists) was followed by "The Legend of Korra" (following a different cast of characters from their late teens to becoming young adults).
While both series dealt with heavy subjects, had similar senses of humor, and had a TV-Y7-FV age rating (fairly standard for action cartoons), The Legend of Korra had quite a few themes that older viewers might relate to better than kids: more relationship drama, disagreements about parenting philosophies, and the main character getting a severe and traumatic injury that leaves her both physically and mentally disabled, requiring her to undergo extensive therapy before returning to her usual heroics.
I kind of doubt LEGO would take this approach, though, since currently the Ninjago toy line seems like it's managed to remain successful without any major increases or decreases to its target age range, and it would probably be a bad idea if the target age ranges of the toy line and animated series didn't closely correspond. Also, shows aimed at older viewers are rarely as good at selling toys as those aimed at younger viewers.
I could totally see a re-boot as a way of bringing in Friends style skin tone diversity, although not sure LEGO would want to do that.
Checked through all the box art, seems as long as you get most of the sets you can get a full set of the ninjas in normal & powered up form ( #70671 & #70672 being the unnecessary sets).